A publication devoted entirely to Samuel Beckett’s life and work
All features are open access for this first publication in the new format and include an interview with Michael Brodsky on the translation of Eleuthéria, reviews of the Los Angeles Waiting for Godot, Catherine Frot’s Oh les beaux jours! and other productions, conference and book reviews.
The editor and web manager are keen to hear your thoughts on the new design, and encourage submissions for future issues at firstname.lastname@example.org
For those on Twitter, you can follow the Society at @BeckettSociety